The Tattooed Poets Project: Lea Banks

Today's tattooed poet is Lea Banks.

Lea sent along several photos of her work, so let's not waste any time checking out her ink.

Descriptions from Lea follow each photo.

"Vita Nuova" was the first tattoo celebrating my divorce, my new life. I was deep into Dante, especially the Purgatorio. I had read three translations and was taking a break when someone gave me La Vita Nuova. The thirty poems fascinated me --- they were so personal, an autobiographical narrative in which Dante wove a web of romance and emotion. Such spiritual inspiration was integral at that time! I was interspersing Dante with Emily Dickinson then and I had the same artist at Mom’s Tattoo Studio in Keene, NH do the tattoo on my right shoulder. You know … “Tell all the truth but tell it slant.” I still felt I was contained lightning from the wreckage of my marriage; wanting to tell the truth in my poetry but having a hard time with it. So this was the design I came up with. I’m actually thinking of having the lightning go outside the circle … I am NOT contained anymore!

Tell all the Truth but tell it slant

Emily Dickinson

Tell all the Truth but tell it slant---
Success in Cirrcuit lies
Too bright for our infirm Delight
The Truth's superb surprise
As Lightening to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind---

...Done in 2004, [this tattoo] was my version of a design from the Book of Kells, an Irish manuscript containing the Four Gospels. My daughter and I were visiting England and were staying at a B&B in Glastonbury. One day, she decided to climb the green hill of the Tor, crowned with the tower dominating the town and the surrounding landscape. I had to sit it out because my foot was giving me trouble. My foot at that time had undergone four surgeries. I picked up a book showing illustrations from the Book of Kells. I dreamt of this dragonfly tattoo on the plane ride back and took my vision to a tattoo artist at Blackbear Tattoo & Jewelery Company in Brattleboro, VT. I was very pleased with the result: three dragonflies facing different directions signifying healing movement for my foot. Although I had a fifth surgery, I started walking again and even running. I promised Sarah that we’d return and climb the Tor together.

And my personal favorite...

The fourth tattoo on my left bicep, done by Pygmalion’s Tattoo in Greenfield, MA, is a quote by William Carlos Williams, “Nothing whips my blood like verse.” I had it done right before the AWP conference in Chicago and bore it proudly. The whip that winds throughout the quote was a flourish done by the artist. I ran into a friend who was a W.C. Williams scholar and he said he had never heard it attributed it to Williams! I swear it was in a book or on the web and if anyone can tell me different, please do.

Good news, Lea, I found reference to it in The Selected Letters of William Carlos Williams (1957).

Please be sure to check out one of Lea's poems over on BillyBlog here.

Lea Banks lives in Western Massachusetts. She is the author of the chapbook All of Me, (Booksmyth Press, 2008). She was a finalist for The Pavel Srut Fellowship in Prague and had two poems nominated for the 2009 Pushcart Prize. Banks is the founder of the nationally-known Collected Poets Series in Shelburne Falls, MA and editor of Oscillation: Poetry in Motion. She was the former poetry editor of The Equinox and editorial assistant for the Marlboro Review. She attended New England College’s MFA program, facilitated stroke survivors’ writing workshops, and is a full-time poet, community organizer, freelance editor and writer. Banks has published in several journals including Poetry Northwest, Slipstream, Diner, and American Poetry Journal. See more here: www.leabanks.com.

Thanks again to Lea for sharing her tattoos with us here on Tattoosday!

Jackie's Transcendent Tattoo

I met Jackie briefly on the 34th Street subway platform earlier this month, waiting for an A train.

She was sporting this rather nifty tattoo on her left foot:


That is, of course, the symbol for Om, which carries significant meaning.

Jackie does a lot of yoga and said that, to her, the symbol "represents transcendence".

It was inked by Matt Kimball at Timeless Tat2 in Bordentown, New Jersey.

Thanks to Jackie for sharing her tattoo with us here on Tattoosday!

The Tattooed Poets Project: Chenelle Milford

Our tattooed poet today is Chenelle Milford.

In a first here at the Tattooed Poets Project (and I believe Tattoosday, as well), our photo was taken on the tattooed individual's wedding day:


There's two tattoos visible in this photo: the nautical star and, if you look closely, some letters running vertically on the left side of Chenelle's back.

The nautical star is a popular "classic" tattoo design as it originates in the culture of sailors, who brought the art of tattooing to the attention of European and North American society. Chenelle notes more specifically that the star on her neck represents her home, Northern California and that"it means that I can always find my way home, like a sailor on the open sea".

Chenelle notes that

"My most meaningful tattoo (although not necessarily the most photogenic) is [on] the shoulder... that reads OLAE 08.


My best friend had, on her right shoulder, SUMTS 09. When we would stand together, you could read back and forth across the shoulders, and the letters would spell SOULMATES. She died on May 22nd, 2009, in a car wreck at 25 years old, so I am grateful to have that memory of her."

Both tattoos were done at Ink Wizard Tattoos, in Griffin, Georgia. She credits an artist named Mike Stout with the nautical star and Gary Hall with the OLAE tattoo.

Please be sure to head over to BillyBlog to check out Chenelle's poem "little Red Riding Hood" here.

Chenelle C. Milford, a native Californian and poet, is the manager, web-designer, consultant, all-around aficionado, and archivist of the Joe Milford Poetry Show. She is the founder and editor of the new literary journal, Scythe. Additionally, she is a film-maker, writer, humanist, and a wonderful wife and mother. Together, Joe and Chenelle Milford are compiling an extensive online sonic archive, a library of archived materials that can be accessed, which share writing and impressive interviews of many of today's established and up-and-coming poets. Some of her work is displayed on New Aesthetic. She now resides in rural Georgia with her husband and two daughters. She is working on college and writing poetry as time permits.

Thanks to Chenelle for her participation in the Tattooed Poets Project!

The Tattooed Poets Project: Cathryn Cofell

Today's tattooed poet is Cathryn Cofell.

Cathryn prefaced her tattoo by telling me:

"My tiny tattoo pales in comparison to some...Most of my adult life, I've wanted one, but always held back because I either 1) didn't know what I wanted or 2) feared I'd change my mind as soon as it was done (I change my mind as often as a hummingbird's heart beats) or 3) was working for a relatively conservative company."

This last concern is one that everyone should consider when getting a tattoo. Not that Tattoosday is an Ink Advice blog, but companies can legally discriminate (and often do) against tattooed individuals, which is something many people do not think about when getting inked. At the time that Cathryn got her tattoo, she "was working for a credit union with a strict 'no visible tattoos policy' and ... was part of the management team that actually wrote that policy". She does point out that she was out-voted by the anti-tattoo contingency.

So, Cathryn says,

"This was the compromise -- small, discreet, but powerful -- and not so discreet that I had to become a pretzel or strip completely naked to see it for myself or show it to others....


The symbol I finally chose is one that I wore around my neck as a talisman for many years: the Nile River Goddess, Nathor, who represents strength, triumph, success. I was at one of those turning points in my life -- feeling low and falling lower, needing her and those ideals to be more firmly etched in and on me.


She turned my life around that day. I've thought about another since and probably will some day, but see 1, 2 and 3 above and you'll know why I'm still waiting!

The poem that Cathryn sent us, seen here on BillyBlog, "came out on the drive home, scribbled on an old napkin".

Thanks to Cathryn for participating in the Tattooed Poets Project!

Cathryn Cofell is the author of five books, most recently Kamikaze Commotion (Parallel Press). She's received 40+ awards for her poetry and essays which also appear in scads of journals and anthologies. She is a zealous advocate for the arts, having served as founding Chair of the Wisconsin Poet Laureate Commission, on the board of the Wisconsin Fellowship of Poets, and currently as Chair of the Verse Wisconsin Advisory Board and a pro-arts voice wherever she'll be heard.

The Tattooed Poets Project: Seth Berg

Today's tattooed poet, Seth Berg, is very tattooed. Not only does he say he is "extensively tattooed," he qualifies such a statement: "over 60 sessions under the needle".

He sent several photos, but the most impressive and, from what I can tell, his most special one is this "mammoth beast" of a tattoo (his words, not mine) on his ribcage:


In case you were wondering, this amazing leaf "goes from [his] pelvic bone to [his] armpit and blankets [his] entire ribcage".

The tattoo is an oak leaf, inked in celebration of his son, Oak, who turns 1 on May 8th.


The tattoo was completed in one six-hour session (with only one break for water and a stretch). The artist was Kat Richards from Live Fast Die Young Tattoos in Northeast Minneapolis.

Seth Michael Berg earned his MFA in poetry from Bowling Green State University in 2003 and has since been bouncing around the country teaching, tending bar, sculpting, writing, and occasionally snowshoeing. His poems and fiction can be found in Connecticut Review, Lake Effect, Word Riot, JMWW, 13th Warrior Review, Chiron Review, BlazeVOX, Pike Magazine, Disappearing City Literary Review, and Dark Sky Magazine, among others. Berg lives in Minneapolis with his photographer wife, Ashley, their supernatural son, Oak, and their twelve-year-old English Bulldog, Bob. When not working, Berg can most likely be found indulging his addiction to hot sauce or slowing down somewhere in a forest.

Check out his poem "Aphasia" over on BillyBlog.

The Tattooed Poets Project: Tameka Mullins

Today's tattooed poet is Tameka Mullins, a poet who blogs at her site Lyric Fire.


Tameka chose this tattoo design because she was a high school drama major and she dreamed of becoming an actress. The tragedy and comedy masks are a popular tattoo design, especially among creative individuals. They have even appeared on Tattoosday before, as seen here and here.

Tameka elaborates:

I actually collected objects (paintings, art masks, etc...) with the thespian symbol over the years because I felt such a connection to the image. As I grew older I realized I loved the symbol so much because to me it summed up life. Happiness, sadness, joy, pain, elation and deflation. These are the emotions that drive us, crush us and propel us and are at the center of almost everything we do. As a writer I look to capture, explore and expand on these emotions in my projects.

After a night out parting with her best friend, Tameka got an ear piercing and this tattoo at Sacred Tattoo in Manhattan.

Tameka is a native Detroiter who loves writing, networking and cultivating great relationships. Her professional background includes work as a public relations professional, radio segment producer, project manager and consultant for publishing and non-profit organizations. She wrote her first poem when she was 5-years-old and it consisted of just two words: "I dream." She believes that with persistence and passion dreams can be transformed into goals which become reality. Her novel Letters to Chyna, which delves into the emotionally charged issues of adoption is currently being reviewed and considered for publication.

Check out one of her poems over on BillyBlog here.

The Tattooed Poets Project - Caroline Goodwin

Today's Tattooed Poet is Caroline Goodwin.

She sent along this photo of a clematis flower that was tattooed on her belly in the early '90s in Juneau, Alaska:


She says she chose the clematis image from "a book of botanical sketches at the Juneau Public Library". Why this one? "Because I love purple flowers -and vines".

The artist, Caroline recalls, was Dave Lang at High Tide Tattoo.


Caroline Goodwin moved to the San Francisco Bay Area from Sitka, Alaska in 1999 to attend Stanford as a Wallace Stegner Fellow. She teaches poetry and nonfiction writing workshops at California College of the Arts and, with Hugh and Mary Behm-Steinberg of Berkeley, is the publisher of MaCaHu poetry chapbook press.

Check out one of Caroline's poems here, over on BillyBlog.

Anne's Flourish

This is another regular post amid the host of Tattooed Poets for April.

I ran into Anne at a drug store in my neighborhood and she agreed to share this simple, yet elegant, tattoo, which she called her "flourish":


Inked on her inner right forearm, Anne designed this herself, and had it tattooed by Chad Hunt at Name Brand Tattoo in Ann Arbor, Michigan.

Thanks to Anne for sharing her lovely decorative tattoo with us here on Tattoosday!

The Tattooed Poets Project: Joseph Millar

Today's tattooed poet is Joseph Millar.

This is a bit of an unusual submission, as it was provided on behalf of Joseph by his wife, the poet Dorianne Laux. Dorianne, who herself is un-inked, was instrumental in last year's Tattooed Poets Project, referring me to several tattooed poets, who in turn introduced me to many more, acting as the lead domino in a fantastic tattooed poet domino effect.

This is the tattoo she provided on behalf of Joseph:


Dorianne explains that this tattoo is actually a two-part piece. The original was "a much smaller rose" by the legendary Lyle Tuttle. She continues:

"The banner was etched with his second wife's name, which I never saw as a problem. I liked his ex-wife who is an artist. In fact, her painting graces the cover of my third book, Smoke. One night he came home late with a bandage on his arm. I worried he'd been in a work-related accident. He peeled it back to show me he had the rose enlarged and my name stenciled into the new banner by Doctor Julien of [Julien's Black Lotus Tattoo in] Eugene, Oregon. I wish I could tell you I thanked him and kissed him, but what I did was sock him in the arm and call him an idiot. Secretly, I found I was pleased."

Be sure to head over to BillyBlog and read one of Joseph's poems here.

JOSEPH MILLAR is the author of Fortune, from Eastern Washington University Press.


His first collection, Overtime (2001) was finalist for the Oregon Book Award and the Robert H. Winner Memorial Award from the Poetry Society of America. Millar grew up in Pennsylvania, attended Johns Hopkins University and spent 25 years in the San Francisco Bay area, working at a variety of jobs, from telephone repairman to commercial fisherman. His poems have appeared in numerous magazines including The Southern Review, TriQuarterly Review, Prairie Schooner, Shenandoah, DoubleTake, New Letters, Ploughshares, Manoa, and River Styx. His work has won fellowships from the National Endowment for the Arts in Poetry, Montalvo Center for the Arts, Oregon Literary Arts and a 2008 Pushcart Prize in Poetry. In 1997 he gave up his job as a telephone installation foreman. He now lives in Raleigh, NC and teaches at Pacific University’s Low Residency MFA Program in Oregon and yearly at the Esalen Institute in Big Sur, CA. Pulitzer Prize winner Yusef Komunyakaa has said, “There's a tenderness at the core of Fortune, where the commonplace becomes atypical and fantastical, and each poem possesses a voice that summons and reveals. Joseph Millar is a poet we can believe.” His third collection of poems will be published in fall of 2011 by Carnegie Mellon Press.

Thanks to Joseph and Dorianne for their collaborative submission to the Tattooed Poets Project!

Siobhan's Phantom Tattoo

Although it is April and we are posting the tattoos of thirty poets over the thirty days, it's hard to ignore the good people who make Tattoosday possible, my fellow inked New Yorkers, and visitors from afar.

It's even more difficult to ignore the unseasonably warm weather and the resulting flurry of tattoos that reveal themselves after a cold and inhospitable winter.

So it is with pleasure that I can share some tattooed folk who are not necessarily poets, to go with our inked writers.

Take for instance, Siobhan (pronounced shuh-vawn for those unfamiliar with this Irish name), who walked by me in my neighborhood in Brooklyn, flashing this recognizable tattoo:


Perched above her left ankle, this design is based on the artwork for the widely-popular Andrew Lloyd Webber musical, The Phantom of the Opera.


You would imagine that someone who would go so far as to tattoo their leg with a show's artwork would be a huge fan. You'd be correct.

Siobhan informed me that (as of April 2010), she had seen Phantom over twenty-five times, including productions in Minneapolis, San Francisco, London and, of course, on Broadway.

This is her first tattoo and was inked by Joe Mags at Brooklyn Ink, in Bay Ridge. Work from Joe and the crew at Brooklyn Ink has appeared quite often on Tattoosday, and can be seen collected by clicking here.

Thanks to Siobhan for sharing her inspiring tattoo with us here on Tattoosday!

The Tattooed Poets Project: Erica Rivera

Today's tattooed poet is Erica Rivera from Minneapolis. She sent along this lovely photo:


Erica explains:

"This tattoo was both a 24th birthday present to myself (and perhaps a mini-rebellion after my divorce as well). It is the astrological symbol for Gemini, which I chose because I embody the twin personalities Geminis are infamous for.

The tattoo was done at the Ink Lab in Minneapolis by a man whose name I know longer remember but recall as being very gentle, especially since this was my first time. I’ve since gone on to get four more tattoos: another astrological symbol on my forearm and three emblems from the marathons I’ve completed on my ankles."

Erica Rivera is the author of Insatiable: A Young Mother’s Struggle with Anorexia (Berkley, 2009). She is the former first-place winner of the Powderhorn Writer’s Festival and her poetry has appeared in Moon Journal, The Mirage, and Writer’s Journal. She blogs at http://www.maneaterbook.com/blog.htm.

Head on over to BillyBlog to read one of Erica's poems here.

The Tattooed Poets Project: Christine Hamm

Today's tattooed poet is Christine Hamm:


Christine, a fellow Brooklynite, explained her tattoo as follows:

"Why my tattoo? Is it a museum on my arm? Is it some kind of message from outerspace? Children run to me just to touch it: ask me what the words mean, what I'm trying to spell. There are no words, only water.

For many years, I had been thinking about getting matching tattoos of waves splashing up my calves to my knees, as if I were wading in the ocean, perpetually. I thought about the cost, I thought about how the tattoos would look with a miniskirt -- I realized that if I got them, I'd always want to be wearing jeans rolled up to my knees and salt-stained t-shirt. I can't carry seashells all the time in my pockets, I can't be brushing the sand out of my hair every five minutes. So I decided to take less of a plunge, enter the water one arm at a time. It started off quite slow. Are you sure you don't want a fish, the artist kept asking me as we mapped out my image on tracing paper. Everybody else gets a fish. Just water, I said, just waves. The tattoo was to celebrate --- some kind of new awakening, finally going back to grad school to get my PhD in Lit like I always wanted, finally believing I could achieve something more. The waves are Asian-inspired; many who see my arm mention Hokusai, but the water is not taken directly from him. I was thinking of Zen when I finally decided on these particular waves; I was thinking that if I could just be in the water, neither sinking nor floating above, if I could just be. Water has always suggested to me some kind of slower, purer imitation of our world, something more real and less sharp. Not just amniotic fluid, not just rain, but the color, the there-not there texture, the kiss of it."

And that explanation, my friends, is one of the many reasons I love the Tattooed Poets Project.

She credits the work to Mike Bakaty at Fineline Tattoo NYC on 1st Avenue in Manhattan, who inked this about three years ago.

Christine is a PhD candidate in English Literature, teaches at CUNY in New York City, and was runner-up to the Queens Poet Laureate. Her second book of poetry, Saints & Cannibals, is coming out this spring. For more about her, go to her blog here.

To read a poem from Christine, as part of the Tattooed Poets Project, head over to BillyBlog here.

The Tattooed Poets Project: Mark Nickels

Today's tattoo comes to us from the poet Mark Nickels:


Mark explains:

"This tattoo dates from the end of the Clinton era, I'm thinking 1997, 1998. It can't be true, but getting a tattoo feels like the last unmotivated thing I did. No regrets, I just can't remember exactly what it was all about. You forget about it and then glimpse it in your steamed bathroom mirror and think, Oh. Uh....freedom, or something like that...not so much the word as the feeling, sort of a lovely, aimless, Saturday morning feeling you don't recall having had lately."

If I may interject, I love hearing things like this, because I often ask people about their tattoos, and they dismiss them, "Oh, well, it doesn't mean anything," they often say, as if that somehow makes the tattoo less interesting. However, tattoos often symbolize times, places, memories, or feelings, and Mark is able to capture that perfectly in his explanation of the tattoo.

He continues:

I was interested in medieval stuff at the time, especially medieval and Renaissance music, and found this griffin design in a book of Dover copyright-free medieval motifs. A very good artist at Dare Devil Tattoo drew it freehand for practice, referencing the book, then started on my arm and tattoo'd' it straight off. It hasn't faded much, as you can see. I remember I asked for red and yellow, outlined in black, and that's exactly what she gave me.

Mark Nickels lives in New York City. His book Cicada was published by Rattapallax Press in 2000. He has won the Milton Dorfman Prize (1996), the Ann Stafford Prize from USC (2002) and been a finalist and semi-finalist at Lyric Recovery Festival (Carnegie Hall). He is a 2006 New York State Arts Foundation Fellow in fiction, and two poems from his 2o00 collection were recently selected for inclusion in the on-line archive of the Poetry Foundation (aka Poetry).

Thanks to Mark for sharing his tattoo with us here on Tattoosday! Please be sure to check out one of his poems (one that mentions a griffin, too!) here on BillyBlog!