Last month I was trying to figure out why so many interesting people were walking around the Penn Station area when a trio of tattooed guys enlightened me: it was the Friday commencement of the New York Comic Con.
Now, I realize, I could go to one of these events and have a field day with some amazing tattoos on some very committed fans, but then I'd also be writing up posts for another month or two, as well, so I was content to chat with Rob and his two friends (who will appear in subsequent posts - stay tuned-).
Rob offered us one of his three tattoos, this animated creature on his inner right forearm:
This is, I'm sure many of you may know, a character from Sonic the Hedgehog, an iconic video game series that appeared in the early 1990's and has since sold, according to Wikipedia, 70 million units worldwide.
Rob explained that he grew up playing Sonic games and his favorite character was Knuckles the Echidna, who first appeared in Sonic the Hedgehog 3. "He was the only one I wanted to be," Rob told me. An echidna, by the way, is another name for a spiny anteater.
Let's take a moment and pause from our regularly-scheduled programming this Veteran's Day to remember the men and women who serve our country bravely. I've dug into the archives and reposted a friend's tattoo, which appeared originally here on Tattoosday in January 2008. Be sure to thank a Veteran today, and to appreciate not only our soldiers at home and abroad, but their families who support and inspire them to serve our country courageously.
Tracy is a friend of mine who lives in Fort Drum, New York. She was in town last weekend, visiting family, and this was the first time I have seen her since Tattoosday was born over the summer.
I knew Tracy had at least one tattoo, because she and my wife have talked ink before. So when I saw her on Saturday, unexpectedly, I was happy that I had a couple of Tattoosday printouts in my pocket.
I explained the blog and asked if she'd like to participate. She was happy to oblige and, as fortune would have it, she was coming to an indoor soccer game the following day. Her nephew plays on the same team as my daughter Shayna.
After the game Sunday, I asked if she was ready. She lifted the back of her shirt to reveal:
I was surprised, honestly. I was not expecting butterflies, but expecting the one above it which, as fate would have it, is later in this post. But I wasn't about to pass up a cool tattoo, so I took a picture of this one as well.
Tracy is a mother of two boys, Matthew and Danny, and these butterflies represent each of them, as they flutter and transform, as ones children are apt to do, growing from infants into people. Tracy had these inked three years ago in Victorville, when she was living at Ft. Irwin. She said that they had been done at "Victorville Designs," which has either changed names or gone out of business, based on this link.
These butterflies are nicely inked and really seem to float over the skin. Definitely a nice tattoo, from design to execution.
Above the butterflies is the tattoo that I had heard about:
A simple, basic script. The arced triad of three pillars of strength in many people's lives: "Faith. Family. Friends."
In order to understand this tattoo, we have to take a little side journey.
Whatever one's politics may be, or however one feels about what we are doing in Asia and the Middle East, one thing must be acknowledged: the men and women in our military are there to do a job, to serve our country, and to fight to not only protect the people there, but here as well. Thousands of American men and women have given their lives and their souls to serve our country.
As one may have guessed by two prior references (Ft. Drum and Ft. Irwin), Tracy is closely tied to the United States Army, as she is married to Pete, who is a soldier with the 10th Mountain Division, Light Infantry.
On October 31, 2006, Pete's friend and fellow soldier, Major Douglas E. Sloan, was killed in the line of duty in the Wygal Valley in Afghanistan, while serving with Company B, 1st Battalion, 32nd Infantry Regiment. You can read more about Doug here at the Arlington National Cemetary website.
As every drop of spilled blood in the line of duty hits home, the loss of Major Sloan was devastating to his family and friends back in the States. The community of Fort Drum mourned Doug's passing and hearts went out to his wife Kerry and their children.
In December 2006, to pay tribute to Doug's memory, Tracy and three friends, including Kerry, went to Tattoos Forever in Evans Mills, NY, and each had the same inscription inked. In hindsight, Tracy recalls how funny it must have appeared, for four moms in minivans to drive up to the shop and collectively get tattooed.
It is a recurring theme on tattoo shows. Memorial tattoos are among the most popular types of body art. People mourn, heal, and remember through the art of the tattoo. And a piece of the loved one lives on, for years, in the flesh of the survivors, who gain strength and hold on to the memory of the departed.
The alliterative mantra of "Faith, Family, and Friends" reminds not only the tattooed, but those around them, of the most important things in life.
I want to thank Tracy for sharing her tattoos, and the stories behind them. I would add a special nod of gratitude to the memory of Major Douglas Sloan, who I never knew. Yet, by virtue of this tattoo, helped remind me of the sacrifice that our soldiers make day in, day out, and their families they leave behind.
Tracy's husband Pete subsequently returned from Afghanistan, but has since returned to duty overseas. On behalf of all of our Tattoosday readers, I want to thank Tracy and Pete, for their commitment and sacrifice, and for sharing this one story among thousands, with us here at Tattoosday.
This past Sunday, tens of thousands of runners gathered for the ING New York City Marathon. As luck would have it, yesterday I had the good fortune to run into Gavan, an Australian runner who had completed the marathon (his 24th!). And where the rest of New York seemed bundled for a chilly, drizzly Autumn Day (with our first reported sleet of the season), Gavan was wearing shorts. This was great for me, as it allowed a view of this very nice tattoo on the back of his right calf:
Gavan explained that this was based on a work of art by Albrecht Dürer called Betende Hände, or "Praying Hands." One story behind the work details the sacrifice between two brothers.
He elaborated that it has a greater meaning that, although he has never been very religious, he found himself praying during the birth of his second son, beseeching a higher power, "Please let him be okay".
He believes that the prayer travels with him, as he is separated and not always with his sons. His journey as a marathoner carries him to faraway places, as well, and these absences are tinged with worry over the well-being of his kids. Please let them be okay.
As life progresses and he grows older, these hands become more and more significant.
Gavan's tattoo is also striking in that the tattoo is on the back of his leg, and he is a runner. To complete a marathon, I believe, takes more than stamina and training. One must also have faith, whether it be in a higher power or the ability to push one's body to complete an astounding task of strength and endurance.
I also wonder how many runners this past Sunday saw Gavan's tattoo ahead of them, and drew strength from the image before them.
Gavan credits this wonderful tattoo to Jane Laver at Chapel Tattoo in Prahran, a suburb of Melbourne, Australia. There's a nice profile of Jane here.
Thanks again to Gavan for sharing his hands of prayer with us here on Tattoosday! Congratulations on a race well-run and thank you for visiting our metropolis. We hope you have an enjoyable stay and pray that your return home safely to your two boys back in Australia!
Ah yes, the shoulder is a wonderful location of the human body for tattoo design, an area which is often the starting point of a sleeve tattoo, whether it be a quarter, half or full design.
However the shoulder is a fabulous area for a single tattoo as well, and some of the most popular designs for this location includes tribal artwork, animals/fish, and perhaps a flowery masterpiece for the ladies.
Have a gander at these pictures and uncover some helpful ideas for your impending masterpiece.
I spotted Megan at the end of September walking down West 23rd Street in Chelsea.
She has an amazing sleeve-in-progress but, because it is still unfinished, she offered up this tattoo, on her upper right arm, instead:
This tarot card is significant because her mother is from the Caribbean and she grew up with Santerían religion in her household.
She has a profound respect for tarot cards and based on the time and date of her birth, has what she refers to as a "weird numerology".
This card is known as L'Impératrice,or The Empress, and has a very positive meaning. As interpreted by one site (here):
The Empress seems to be sure of herself, calm, intelligent, worthy.This major arcana represents the capacity, the Empress clothing is luxurious and invaluable.
This arcana is extremely positive... ...In the right position the Empress represents the intelligence, dignity, the authority, the mother, the wife, the right decisions.
The detail in this tattoo is amazing:
The art was inked by Annie Lloyd at Three Kings Tattoo in Brooklyn. Work from Three Kings has appeared previously on Tatoosday here.
Thanks to Megan for sharing this lovely tattoo with us here on Tattoosday!
I met Brandice in Penn Station back in August, as she sat on the stairs by the New Jersey transit terminal. She shared her half-sleeve-in-progress on her right arm.
This is the inside of the arm:
Brandice explained that her work is a tribute to her family. The Confederate Flag is a nod to her family from the South, most of whom come from Virginia.
I had to ask if she had any reservations about inking the flag on her arm, since some people see such a symbol in a negative light. She acknowledged that she took this into consideration, but decided that it is part of her family history, and that when she explains this to people, they understand. She does not wear it to make a statement but, rather, to honor where her family is from.
The "Daddy" is a memorial nod to her father who passed away and the phrase "Family Tradition" reinforces the central theme of the tattoo, and further acknowledges her Southern heritage.This is an allusion to Hank Williams, Jr. and his song (and album) "Family Tradition".
On the second part of the tattoo, the design is filled with additional meaning, with her cousin represented by the skull,
and the skull with the bow represents herself. The banner bearing the initials MLC is a nod to her grandmother. She has used symbols to represent the living and names for those who have passed.
The dogwood flowers in the tattoo have religious meaning as well, in addition to being the state flower and state tree of Virgina. The magnolias are also shout-outs to her southern family heritage.
Brandice has about eight hours of this tattoo done so far, all by Dan Paone at White Lotus Tattoo and Art Gallery in Tom's River in New Jersey.
Thanks to Brandice for sharing her tattoo steeped in family traditions with us here at Tattoosday!
Johannes Stache hat für Münsters Tätowiersucht ein Corporate Design entworfen. Sieht gut aus, wie wir finden. Grund genug mal ein paar Fragen zu stellen. Los gehts...
Wie kamst du auf die Idee, ein neues Corporate Design für Tätowiersucht zu machen? Wie bist du zu dem Kontakt gekommen?
Auf der Suche nach einem geeigneten Thema für die Diplomarbeit im Fach Kommunikationsdesign, Bereich Marken-/Firmenidentität ist die Zusammenarbeit mit einem echten Produkt oder Dienstleister am Spannendsten. Firmen- und Produktanalysen nicht auf fiktiver oder theoretischer Basis sondern am realen Gegenstand durchführen zu können ist Gold wert und motiviert. Am Naheliegendsten war daher eine Kooperation mit einem am Studienort Münster ansässigen Unternehmen. Im Falle des Tätowierstudios Tätowiersucht war außerdem gut geeignet, dass man im Dialog mit dem Team gleichzeitig Gründer, Manager und Künstler vor sich hat und das Unternehmen als Solches somit viel greifbarer ist als bspw. bei einem verschachtelt aufgebauten Großkonzern. Für das Thema Tattoo an sich sprach z.B., dass an grafischer Gestaltung sehr viel Potential aus einem Berufsbereich herauszuholen ist, in dem ebenfalls grafisch gearbeitet wird.
Wie genau bist du zum jetzigen Produkt gekommen? Was war dein Konzept?
Das Konzept für die Gestaltung zielte im Kern darauf ab, dass das Studio Tätowiersucht seine Zielgruppe unmissverständlich ansprechen und für die angebotene Dienstleistung sensibilisieren muss. Hinzu kommen Faktoren wie visuelle Eigenständigkeit und Kommunikation der Tätowiersucht-eigenen Merkmale und Eigenschaften, die sich ebenfalls in der Gestaltung wiederfinden sollen. Ähnlich wie in der Werbung funktioniert ein Firmenerscheinungsbild am Besten, wenn es Aufmerksamkeit erregt, indem es Dinge anders macht als die Konkurrenz und gleichzeitig möglichst viel über das dahinter befindliche Produkt verrät.
Tätowierkünstler sollten ja eigentlich zeichnen können. Haben die Jungs und Mädels selber irgendwas gezeichnet?
Für die Gestaltung des Corporate Designs eines Tätowierstudios liegt es nahe, auf Tattoo-Artworks zu setzen, um bspw. bereits im Firmenlogo die Zeichenfertigkeit der Artists zur Schau zu stellen. Die Marktanalyse zeigt auch sofort, dass sehr viele Tattoostudios eine solche Herangehensweise gewählt haben, um sich nach außen zu präsentieren. Die Folge ist, dass man in der Masse schnell untergeht. Eine anders gewählte visuelle Darstellung verspricht also mehr Aufmerksamkeit. Hierfür wurden Ideen und Meinungen des Tätowiersucht-Teams wahrgenommen, die Umsetzung musste jedoch (speziell für eine Diplomarbeit) eigenständig erfolgen.
Wie oft habt ihr euch getroffen? Wo und wie sahen so Meetings aus?
Zu Anfang stand das zentrale Briefing, ein Meeting mit allen drei Teammitgliedern von Tätowiersucht. Dort wurden die wichtigsten Stationen in der Studiolaufbahn, Angebotsausrichtung und Positionierung im Markt geklärt, was bspw. für die Ideenfindung im Gestaltungsprozess die essentielle Grundlage bildet. Analysiert wurde auch das derzeit bestehende Corporate Design, dessen Stärken beibehalten und ausgebaut, während Schwächen beseitigt und ersetzt werden sollten. Folgende Meetings konnten dank der gut zugänglichen Unternehmensorganisation schnell und unkompliziert verabredet werden. Ein Anruf genügte meistens um kurzfristig Termine für weitere Besprechungen, Fotoshooting o.ä. zu vereinbaren. Die Treffen fanden direkt vor Ort statt, entweder vor oder aber nach den Studioöffnungszeiten, waren immer herzlich und geprägt von beiderseitigem Interesse an der Arbeit des jeweils Anderen.
Gabs schon Kundenfeedback?
Feedback gab es sehr viel und sehr positiv zur Abschlusspräsentation auf der Semesterabschließenden Diplomaustellung der FH Münster, wo das Projekt zum ersten Mal enthüllt wurde. Kunden waren es in diesem Sinne natürlich nicht, jedoch kannten viele das Studio und die Artists, teilweise sogar privat. Gerade Tattoo-affine Besucher gaben das umfassendste Feedback, da sie als potentielle Kunden in Betracht kommen waren ihre Meinungen auch am interessantesten. Festzuhalten ist an dieser Stelle, dass das abgebildete Corporate Design lediglich Gegenstand der Studienarbeit ist und nicht als Auftragsarbeit zum Zwecke der Realisierung durch das Studio in Auftrag gegeben wurde.
Wie lange hat das Ganze gedauert?
Die Idee für das Projekt entstand im Laufe des Februars 2010, das erste Meeting gab's Anfang März. Die eigentliche Arbeit vom Brainstorming über Recherche, Konzept, Entwurf und Umsetzung erstreckte sich dann von Anfang April bis Anfang Juli.
Du hast doch bestimmt Gratistattoos bekommen oder? Was hast du dir stechen lassen? Nope nix da. ;)
Auf diesem Wege ein weiteres Dankeschön an Johannes. Wer Johannes kontaktieren will, kann das ueber johannes-stache (at) web.de tun.
I met John walking down 7th Avenue in the upper 20s back in the beginning of September.
He has six tattoos, but it was this one, on his left side, that I spotted through the hole cut in the side of his t-shirt:
Fans of the popular British graffiti artist Banksy will recognize this as a tattoo based on his work. Another Banksy-inspired tattoo appeared here on Tattoosday in October of 2009.
Why this design? Aside from the fact that John likes the imagery, he especially likes the dripping effect at the bottom of the piece, as if it was spray-painted on. He also related to the ape's sign that reads "Laugh now but one day we'll be in charge".
The piece was inked at Tattooville in Neptune, New Jersey.
Here's a shot of the original Banksy work:
John offered up, an additional tattoo, as well:
Yes, that's a fly tattooed under his right armpit.
John explained that this was tattooed by an artist under the moniker "Porkchop" at Asbury Park's Parlor Gallery. It was part of an occasional event called "Fly Day Friday".
If that sounds bizarre, it gets even crazier. If you present Pork Chop with an item that was bought for under $5.00, and he finds it valuable, he will trade it for one of his fly tattoos.
John successfully presented an item and got the tattoo in exchange.
It's not often that I get someone to share facial tattoos here on Tattoosday, but the occasion arose last month while I was browsing at one of my favorite inkspotting locales, the Borders in Penn Plaza.
I was lucky to meet Catanya, who I noticed had interesting markings on her face, and I was compelled to ask her about the ink. She gladly posed and told me a little about the designs.
Catanya explained that she got her tattoos in the 1970's in New York. She was involved as a dancer in the art scene and eventually married a photographer and relocated to New Mexico and currently resides in Baja, California.
She referred to herself as a "gypsy tribal belly dancer hula hooper" and explained that the design on her forehead is a yin-yang, the tattoo on the right side of her face is Apache feathers, and that the left side and chin are Moroccan in their origins.
Catanya also told me that she had been photographed by someone named Stanley Stellar many years ago here in New York, and that he might have photos from those early days.
Thinking it would be great to have a photo of Catanya from when she was much younger with these tattoos, I tracked down Mr. Stellar and asked if he still had access to his photographs. He completely came through and forwarded this shot:
I certainly feel fortunate to be able to share photos of the same tattoos, separated by thirty-three years.
Such an opportunity allows us to see an example of how one person has aged gracefully, along with her tattoos.
Catanya subsequently emailed me and elaborated on her tattoos and their history:
Back in the early 1970's I was part of a "tribal style" group of dancers and musicians from all over the world. The main things we had in common were our love of the Dance, world music, colorful costumes and even more colorful life styles. That included Henna, Kohl rimmed eyes and LOTS of Tattoos! We also sported plenty of nose jewelry! The tattoos for all of us were personal and also tribal, (as can be seen in India, Morocco and other exotic places around the world.) I do not think that any of us took our tattoo ceremonies lightly.
I received my first tattoos in Venice, Calif. in 1973.
I like to think of it as an initiation ceremony. It was wonderful! Lots of music and dancing and plenty of red wine and good herbs.
My tattoos were applied the "old fashioned" way. India Ink, a needle and a broken pen.
They were done by two brothers from Cuba. They were also fantastic Conga drummers!
A few years later, I had a few more tattoos added to my collection. These were executed by a wonderful tattoo artist, Boyd, in Taos, New Mexico.
I do not regret any of my tattoos and find as the years go by that I am actually "earning" them. I am becoming them. They ARE a personal manifestation of my journey in life.
As my friend Walter once said to me, (referring to my Eagle feathers tattoo), "Catanya, when I look into your eyes, I see that you are growing your real Eagle feathers."
The photo above was taken by Catnya's husband about eight years after Mr, Stellar's photo, with the late photographer Walter Chappell, their friend quoted by Catanya in her testimony.
I want to profusely thank Catanya for allowing me to photograph her and for sharing her tattoos with me, and all of us here on Tattoosday! It's an encounter like this that really stands out among the hundreds I have had over the last few years. To be able to see how someone has so gracefully and proudly worn their tattoos over time is truly an honor and a blessing.
I also want to thank Stanley Stellar for sharing his photograph of Catanya from so many years ago. You can see more of Mr. Stellar's photography here. Be sure to check out his wonderful tattoo photos under the "images" section.
Tribal on mans left shoulder.
Beautiful 3D flower power.
Voodoo skull idea.
Koi fish picture.
