An Interlude

The previous post featured our recent adventures at Dare Devil Tattoo on Friday the 13th.

I wrote specifically about my wife Melanie getting her lucky 13 tattoo on her birthday. People who know me and know Tattoosday were excited not just for her, but for me as well. They knew I'd be surrounded by tattoos, and that I would therefore be busy talking to people about Tattoosday, and collecting stories and photos that would last me through summer.

Not quite.

Certainly the cold weather helped (or hindered, depending on your perspective), but the concept behind Tattoosday has always been about the random spotting of tattoos on the streets of New York. The expression "shooting fish in a barrel" comes to mind. There is no "sport," if you will, in going to a tattoo shop, or convention, and collecting blogfodder.

I could certainly do it, but the randomness and surprise element that one finds on the street are what really help propel the blog along.

So, by the end of our Dare Devil adventure, I had material for the post on Melanie's tattoo, nothing more. I did pass my card to the two young ladies behind us with whom we had a mutual friend, but I did not request their participation, although I could have. I did not identify myself to shop employees as an ink- blogger, although I could have.

Not to mention, it was Melanie's birthday, not mine. I was there for her, not me. No lucky 13 tattoo for me, although I would have loved one.

I was rewarded later in the day by two other tattoo encounters, which I did document, and which will appear in the days to come. I am hoping to receive emails from the participants to fill in the blanks that time and necessity left incomplete.

So, stay tuned.

Thanks for visiting.

Friday the 13th: A Tattoosday Adventure

Today has finally arrived. A much-anticipated Friday the 13th. My wife, Melanie's, birthday. She was born on a Friday the 13th, so whenever it falls in March (the last one was in 1998, the next one is in 2015), it's always an event.

This Friday the 13th, I've taken the day off and plan on spending a large chunk of it with Melanie, waiting in line for what has become a New York City tradition: a lucky 13 tattoo courtesy of the good folks at Dare Devil Tattoo. Located on Ludlow Street on the Lower East Side, Dare Devil delivers $13 tattoos every Friday the 13th. They draw up some flash beforehand, and the clients get to choose from a selection of 13-themed, or Dare Devil-specific tattoos. As you'd imagine, they see a ton of customers, so we plan on arriving early to secure a spot.

10:30 AM - We hit the Manhattan Bridge, much later than we had hoped. We'd planned on a 10AM arrival. We're now anticipating a lengthy line.

10:45 AM - We've arrived. Maybe two dozen people ahead of us. The two young women who line up behind us point to a wall twenty feet away and said last month (a rare back-to-back Friday the 13th phenomenon), they lined up there and waited four hours. Best estimate at this point is to be done by 3 PM.

11:05 AM - A guy with a dog announces to the crowd, "We have a minor issue!" The group of two dozen people tenses up. They need us to line up North-South on Ludlow, as opposed to South-North. Apparently the neighboring store owner doesn't like her entrance blocked. Not a big deal. We all move, collectively exhaling. We do note that it is considerably colder out from under the scaffolding to the north. We are 21st and 22nd in line. There are 5 people behind us.

12:30 PM - They finally let in the first 10 people. The temperature has been struggling to get above freezing, and this has affected a little bit of the crowd's morale. However, we are given a reprieve. NYPD has received complaints about the 50+ people on the sidewalk, so a very nice Dare Devil employee named Rebecca takes our cell# and will call us, in about an hour to an hour and a half, by their estimate.

1:15 PM - We are sitting in a warm cafe on Avenue B. Caffeinating and restrooming. Heading back shortly.

2:00 PM - We are waiting across the street from the shop. Still no call....


2:15 PM - Peering in the window, we get our first look at the flash chosen for today's event.

And then, we enter the shop and things move quickly. Melanie fills out the requisite paperwork, we fork over a $20 bill ($13 for the tattoo, $7 for tip) and Rebecca asks Melanie which design she wants:


Understandably, she chooses a small "13". She would have gone for the Yankees logo, but there was no "13" in it. And wasn't that the point? Not to mention #13 is the jersey number of a much-maligned Yankee named Alex Rodriguez. She would have picked the cherry blossom flash, but the absence of the lucky digits was a deal-killer.

She didn't want any of the devils, and the various phallus and other crude designs are inappropriate.

We chatted with the young ladies from earlier in the day and discovered we had a mutual acquaintance, who they knew from school (Pratt).

And then Melanie was up. There was a brief debate about where the tattoo would go, in the middle of the back, or on the wrist. It is small enough that it can pass unnoticed on the wrist, or be covered by a bracelet or watch, should it be appropriate to do so. The wrist it is.























Jason June, the artist, jokes with us, as he tattoos the digits in under a minute. This certainly evens out the average tattoo time for the day, and makes it a quick pay-off for a long wait. The final product is a cute little "13" on the inside of her left wrist:


We walk back up to the front of the store, Rebecca asking Melanie how it went. Smiles all around. We put on our coats. Melanie asks me what time it is. I look at my BlackBerry and say "3:13".

I kid you not.

The stars have aligned and the sun is shining brightly outside. A perfect coda to a New York City tattoo adventure.

Tattoorism: Sean Stops by To Unveil More Amazing Work

A month ago, I posted a bit of tattoorism; Sean from New Jersey sent me photos of his left leg, an intricate Japanese-style piece, complete with koi, dragons, a lotus, and a pagoda.

Sean has been kind enough to update us here on Tattoosday with two more pieces, the first being this cool gypsy head that is tattooed on the inside of his upper left arm:


As he was in the last post, Sean is not only generous with the pictures of his tattoos, but he also has provided a thoughtful explanation of his work:

"I got the gypsy woman about two weeks after graduating from college. I really enjoy the traditional, old school style of tattoos and feel it’s important that this style does not disappear... from tattoo culture. Further, I always viewed these women as adventurers, constantly looking for a new journey. Especially, the woman who are looking off to the sides, almost as if into the distance, as opposed to those who look straight forward. I always envision them looking off to a new land, a new adventure, etc. This tattoo signifies my “journey” through life, especially significant due to just graduating college. It is a reminder to never stagnate and to constantly be striving for better things. I plan on getting a banner added underneath with the word "hope," for obvious reasons."

Sean also sent images from his right leg sleeve, to match the work on the left:



Again, in his own words:

"I had my right leg sleeve done for most aesthetic reasons. I explained [previously here]...that I love Asian style artwork, and to keep symmetry with my left leg this was done in just that style. Originally, I believed I had chosen the geisha image solely for its beauty.

However, about a week after my tattoo I realized that my family has a framed picture of a geisha hanging outside of my room that I have honestly never paid much attention to, until seeing it that day. So now, every time I see the tattoo it reminds me of my home and family (particularly, my mother for some reason). Your subconscious has a funny way of revealing itself.

Moving on, the phoenix has always been a very powerful image to me.

I love the idea of rebuilding yourself from the ashes of past selves. This was significant to me as I received that tattoo during my final years at college (the first two years I spent commuting to a community college, the last two years I spent living on campus away from home for the first time in my life). I feel that those two years living away from home was a period of immense change, where, metaphorically, past versions of myself “burned up,” with new versions arising from those ashes.

Finally, the bonsai tree kind of goes hand-in-hand with the phoenix imagery.

It was always interesting to me that in order for a bonsai to grow correctly, a have a long life, it needed to have branches/new growths pruned and trimmed, in essence losing a piece of itself. I feel this ideology also applies to human life. In order, for someone to fully mature, I feel one needs to be prepared to lose parts of oneself (whether they be thought processes, habits, etc.) in order to grow into a better-equipped and well-rounded person. The bonsai reminds me to strive for this."

I once again thank Sean for not only sharing his tattoos with us here, but for putting the effort into writing a thoughtful, detailed account of the meaning of the art gracing his skin. As with previous pieces featured, the tattoos in this post were done by Mike Schweigert at Electric Tattoo in Bradley Beach, New Jersey. Truly a talented artist that was able to so distinctly transform Sean's body into a living canvas. We here at Tattoosday offer our sincerest thanks and appreciation!

Tattoos as Simply Fashion Additive

Tattoos as Fashion Additive


The word tattoo, a tattoo (tattoo), which today means the image you create with punched skin and ink, resulting from Tahiti word tat(a)u, which means "mark something." The society already knows tattooing for centuries.
In some cultures, tattoos were a sign of social reputation and position of belonging to a social group, which did not necessarily have positive connotations. Members of the aristocracy as criminals, prisoners, and professional love sales are also making tattoos on their bodies. Although tattoos today are becoming simply additive fashion, are still respected art, but for some unacceptable.
Guys would the Tigers, but the girls preferred flowers
According to the master tattoo in one of the studios, people in middle age make most tattooing. For permanent body paint decide more and more young people. Depending on the gender also varies most tattoo designs: "The guys love the Tigers, Scorpio ... while the girls opt for gently motifs such as flowers, butterfly ..."
Tattoos and pain?
According to tattoo master, "piercing" is the most painful for example on the inner side of the hand, where the skin is thin and near bone, but at least on the forearms or shoulder, where most customers opt for tattoos.



Tattoos as Fashion Additive

Kait, On Her Own Two Feet

While passing through Borders at 2 Penn Plaza, I spotted Kait's feet, both tattooed on their outside edges. She graciously allowed me to take pictures of both pieces.

On her left foot is a green bow, inspired in part by the fact that she is known where she grew up for always having a bow on her, whether it be in her clothing or in her hair. It's her trademark, of sorts, and the tattoo insures that she'll never be "bow-less".

Her right foot bears the following inscription:


"Think Happy Thoughts" is a tribute to her friend Max, a graffiti artist, who passed away a year or two back. The script is in her own hand, in emulation of a free-form style that reminds her of graffiti.

Kait has five tattoos in all, including two surnames inscribed on the insides of her wrists. One is the last name of her adopted family, and the other is the surname of her birth mother.

All of her work was done at Big Joe & Sons Tattooing & Piercing in White Plains, New York.

Thanks to Kait for sharing her tattoos here on Tattoosday!

The Tattoosday Book Review: High Voltage

As a viewer of the cable show Miami Ink, I watched with great interest when Chris Garver brought his friend Kat Von D. into the shop as a guest tattooer in the show's early days. Kat's portrait work is phenomenal, and she is an extremely charismatic person.

The problem with reality shows like Miami Ink, its spin-off L.A. Ink, and the A&E Series Inked, is that the producers feel, and perhaps rightfully so, that a show filled with tattoos is bad for ratings. When I was getting my second tattoo, in 2005, I asked my tattoo artist, Peter Cavorsi, what he thought of these shows. He shrugged and said "too much drama" and told me he didn't watch them. He struck at the core of the tattoo shows' problems: the purists in the tattoo community generally are frustrated by the fact that the personal relationships often overshadow the occasional tattoo. Fans of the shows will tell you: drama drives ratings.

Kat Von D.'s popular success is not due solely to her skills as a tattoo artist. I am not saying she isn't talented. She's immensely talented. But I admire her just as much, if not more, for her ability to parlay a dramatic turn of events (her conflict with Miami Ink's chief protagonist, Ami James) into what is appearing to be an empire. Kat Von D. may be a great tattoo artist, but she's also a hell of a business woman, as evidenced by her shop's success in L.A., her show's ratings, and her successful side projects, like the Tattoo/Music festival "Musink," her cosmetics line at
Sephora, and, most recently, her book High Voltage Tattoo. In other words, Kat’s not just an artist. She’s a brand.

People generally either love Kat Von D. or hate her. She has a devoted fan base and a huge following. She is indisputably the most popular tattoo artist in America. But with success of such magnitude comes detractors. The tattoo community has always been a very close-knit, insular, society. Tattoos have never been so popular, and there is significant resentment among "old school" tattoo aficionados, that trendiness breeds sell-outs, and a dilution of the purity of tattooing as an art form.

Personally, I understand this sentiment, but at the same time, I admittedly am part of the handful of people who are riding the wave of tattoo popularity. Tattoosday was in-part inspired by the Miami Ink phenomenon. My knowledge of tattooing was limited when I got my first two tattoos. I am much more knowledgeable now than when Tattoosday was "born" a year and a
half ago, but I hardly think of myself as an expert, nor do I pretend to be. I am just writing about what interests me and ultimately, in its purest form, that is what Kat Von D. has done with her book High Voltage Tattoo.

This, ultimately, is a first for Tattoosday. It is a bona fide review. Have I sold out the original concept behind Tattoosday? Hardly. I am just writing because that's what I do, like a tattooer tattoos because that's what they do.

So let's take a look at the book, which any L.A. Ink viewer knew was coming, as the story behind the book was one of the many episodic plot lines in the show.


First and foremost, let me first say this is a beautiful book. The production value reflects the care that went into its engineering. The first printing has a thick padded cover (the second printing reverted to basic hardcover with dust jacket) which enhances the feel of the book. The pages are thick and bright with colorful graphics and photographs. For the simple fact that the book has on display so many beautiful tattoo images, it is worth the list price, purely for its aesthetic value.


Drilling down into the contents, High Voltage Tattoo offers a great introduction to not only Kat Von D., but to the art of tattooing in general, perfect for the average person looking to know more about tattoos.

The 175-page project is built around the High Voltage motif which has inspired Kat Von D.'s shop in West Los Angeles.

The five sections of the book are named after AC/DC songs: "Highway to Hell," "Let There Be Rock," "Back in Black," "If You Want Blood, You've Got It," and "Dirty Deeds Done Dirt Cheap". Each chapter takes on another aspect of Kat's journey, from her biography, to the genesis of High Voltage Tattoo, to a portfolio of portraits, to a section profiling some of Kat's work, and ending with a brief selection of artists who have inspired her.

This is certainly geared to the Kat Von D. fan, but there is something for everyone. Most compelling is her biographical chapter that gallops through her career, astonishing considering she is celebrating her 27th birthday today (March 8, 2009). We only get the highlights, which is understandable because what is often underplayed and lost on television, is that the life of a tattoo artist may seem glamorous and exciting, but there is an insane amount of hard work and tedium involved. At the same time, the most interesting biographical tidbits seem glossed over. I was very curious to get more of her take on the whole conflict with Ami James. To her credit, she doesn't take any real shots at Ami, and doesn't exploit the drama, despite the public's appetite for such controversies.



Aside from her biography, I really enjoyed the small section on tattoo machines. It certainly gives the reader a better understanding of the basic mechanics and the variations in design. It's not just a tool that gets plugged in and runs. Kat's rudimentary introduction paints a broader base on machine knowledge than one normally sees.

Another fascinating part is the several pages devoted to her own physical canvas. She catalogues her tattoos and answers the burning questions about her ink and their provenance.

I especially like her "yearbook" leg, the left limb on which her friends and family have tattooed their marks. It shows a lack of pretentiousness that is appealing to me, at least; that she is not all about the perfect piece in the perfect spot. It drives home the point that many tattoo snobs
don't get: the meaning behind the tattoo more often than not outshines the quality. And that's completely okay.

Other elements of the book that are useful are Kat's "dos and don'ts", although a lot of it is common sense. But given the lack of sense some people display, these pointers will certainly spare some artists the grief caused by otherwise clueless clients.

I was a little bit put off by some small features of the book, like her lists of things she’s inspired by and the catalog of items she collects. Whether this was just filler, or something the author thought the fans wanted to see, I would have preferred more artwork. In the grand scheme of
things, how important is it that Kat’s inspired by “The F Word” and that she collects leg warmers?

Another section is devoted to what terminology to use and not use. I knew that the expression "tats" is generally not favored (unless it is) and I was corrected early on in this blog's history not to refer to a tattoo machine as a "gun". But I was chagrined to see the expression "ink," referring to tattoos, as much of a no-no as "tats". There aren't a lot of synonyms for tattoos a writer can use, and I was annoyed to have another one frowned upon. Especially since the three most popular shows about the craft all have "ink" in their title. But I'll get over it.

This is a Kat Von D. Production through and through. You can tell she put her heart and soul into this book, and it's certainly a testament to her perseverance and success.

The worst criticism I have is that she certainly makes herself out to be a craftsman devoted to the art, but she doesn't really dwell on her own faults. She acknowledges that she is still learning, but it's hard to find faults in the rosy facade that she paints of herself. She cautions that one
should never get tattooed while under the influence. Sage advice, but she seems to revel in the fact that a lot of her early work (both given and received) was delivered while in "party mode". But if you can get beyond those small contradictions, then the book is a treat for the eyes and the
brain.

I have tried to paint as an objective review of High Voltage Tattoo as I can. The bigger the personality, the more controversial the figure. If you strip away the small aspects and focus on the larger facts: that Kat Von D. is an immense talent, that she is a savvy businesswoman, and, most importantly, has a devout love for her art, then you should derive immense pleasure from this testament to a career that is flourishing in an industry at the height of its popularity.

Not to mention the fact that she is rock and roll, through and through.

Ratings Widget Added

Hey Tattoosday fans! Check out the bottoms of each post. I've added a ratings widget, so you can vote on the tattoos you like!

Tattoos from the Blogosphere: CoccoRossie's Triple Play

I recently received an email from "Coccorossie" who blogs here.

She checks in on Tattoosday from time to time and offered to share a few of her tattoos.

Since she took the time to share them with me, I thought it was only fair to share them with you.



This "Omerta" tattoo is on her right side, on the ribcage. Omerta, traditionally understood as "Code of Silence," reflects her attitude:

"My omerta tattoo is the code of the mob. It means not to associate with authorities and not to snitch. It was my first tattoo. I got it when I was fifteen."

The photo at the top of the post is Cocorossie showing off her tear tattoo. She had this inked for an ex-boyfriend who was shot.

And her final submission was this finger tattoo:


In her words, the " 'love' on [the] middle finger means fuck love." She added, "That one hurt the most."

All of these tattoos were inked by a friend of hers out of his home. As a result, she chose to not give me any further details on the work.

Tattoo purists may turn their noses up at these tattoos. They may not be the most artistic, or most original, but I chose to post them because they clearly carry a lot of meaning for our inked friend and fan of the blog.

For every spectacular sleeve or elaborate back piece, there are a dozen samples of basic, rudimentary tattoos that carry with them vast emotional meaning.

Thanks to Cocorossie for sharing these photos with us here on Tattoosday.

Takeshi's Reminder that Life is Precious

On a day of unlikely inkspotting (8+ inches of snow, frigid temperatures, blustery winds), I thought I would be okay without my camera. Fortunately, I had one on my phone.

Fortunately because, during a brief sojourn into Borders, I met Takeshi, who was visiting from Boston. And he had quite a few tattoos.

Takeshi offered up this neck piece for the Tattoosday audience:


The words "Hold On" refer to the song of the same name, by rock band Good Charlotte, from their album The Young and The Hopeless.

The song is an anti-suicide anthem, and the lyrics relate to the feelings that one battles at a time when suicide seems to be the answer:

This world, this world is cold
But you don’t, you don’t have to go
You’re feeling sad you’re feeling lonely
And no one seems to care
You’re mother’s gone and your father hits you
This pain you cannot bare

But we all bleed the same way as you do
We all have the same things to go thru

Hold on...if you feel like letting go
Hold on...it gets better than you know

Takeshi is a huge Good Charlotte fan and has strong feelings about the subject ever since his childhood friend from Japan, who he has known since they were both very young boys, attempted to take his own life.

The good news is that this is not a memorial tattoo. Takeshi's friend did not succeed and has recovered from the despair that led him to the edge of life.

This tattoo is dedicated to his friend who, when he first saw what Takeshi had done, was moved to tears. The piece serves as a source of strength and inspiration that remains a daily reminder to keep holding on, and to live life fully.

This tattoo was created by Bob Vanderberg in 2006 when he was a guest artist at Chameleon Tattoo & Body Piercing in Boston. Vanderberg left his gig in Michigan and has since joined the staff at Chameleon. Previous Tattoosday posts featuring work from the shop appeared here.

Thanks to Takeshi for sharing his tattoo with us here. We look forward to possibly seeing more of his work in the future.

Below is a video of Good Charlotte's "Hold On":

Fundraising Drive This Wednesday (3/4) at Red Rocket Tattoo

We pause a moment for an announcement...

Chris, who I met on jury duty, and shared his tattoo here, sent me the following message:

Dear Friends and Fans of Red Rocket Tattoo,

A very loved artist in our tattoo family has suffered a tremendous loss. His eldest daughter was tragically killed on the night of February 26th. As he and the rest of his family suffer this loss, we suffer right along side and are doing everything we can to lend support.

Red Rocket Tattoo is putting on a TATTOO DRIVE to raise funds to help with funeral arrangements, legal fees and anything else necessary to aid in the resolution of these unhappy times. We are ASKING FOR YOUR HELP! Wednesday March 4th in the Manhattan Red Rocket Tattoo Studio we will be donating all earned income towards helping our family. Red Rocket will make no profit from this day's efforts.

Along with a few scheduled appointments, we are running a crazy tattoo special and are looking for as many willing participants as possible. We will do everything to accommodate all clients and will work into the night. We will tattoo any name, any kanji, flowers, skulls etc. or any Sailor Jerry style design smaller than your palm for $100. In addition we will do any regular piercing for $20 or exotic for $40 all day long. The first ten clients get a FREE RED ROCKET T SHIRT!

PLEASE HELP US HELP OUR FAMILY! COME IN AND GET THAT TATTOO YOU HAVE ALWAYS WANTED. TELL ALL OF YOUR FRIENDS! TELL ALL OF YOUR ENEMIES! JUST COME IN AND SHOW SOME LOVE FOR ONE WHO LOVES YOU!

We cannot thank you enough!

RED ROCKET TATTOO

Wednesday March 4th
11:00a.m.- whenever our hands fall off!

46w. 36st. 2fl. (between 5th and 6th aves.)
New York City
10018

212-736-3001

The artists over at Red Rocket are top-notch. Their work has been featured on Tattoosday here.
I encourage anyone looking to get tattooed to check out this opportunity, as your participation would not only get you a great tattoo, but would also help a worthy cause.

The Hottest Star Tattoos- Jessica Alba

Jessica Alba Tattoos


Jessica Alba Tattoos

The hottest star tattoos-Jessica Alba

That the neck is part of the body, grateful for the tattoo, also found Jessica Alba, who their flower, if desired, may hide by the lush hair.
On the back of the neck she has an interesting flower tattoo design, Daisy with a Ladybird , also she has two tattoos - one on the wrist ( Sanskrit symbol for lotus flower) and another on the bottom of the back( tattoo of a Bow ).


tattoos-Jessica Alba

Jessica Alba Tattoos

Eva Longoria proud owner of tattoos

Eva Longoria tattoos


Wondering whose body is proud owner of these two tattoos? Let me disclose, that these are the buttocks, ups, tattoos of disappointed housewives Eva Longoria. Eva said, that the public can see only four of her tattoos, (two in addition to the photos, she have one on the left wrist and one on her neck), fifth with initials of her husband Tony Parker is on intimate place, where only the Chosen One can see.


Eva Longoria tattoos


Eva Longoria tattoos


Eva Longoria without tattoos

Here's to You, Joe DiMaggio...

Living in New York City, a metropolis known for its die-hard sports fans, it is not unusual to see tattoos honoring and celebrating the rich athletic tradition that exists here.

On Friday, during my lunch hour, I spotted a New York City Fire Department truck parked at the corner of 40th Street and 7th Avenue. Standing along side it was Johnny, one of New York's bravest, enjoying the warm weather, in shorts, and baring this incredible leg tattoo:


This is, of course, Marilyn Monroe, but with a twist. She is sporting the New York Yankees jersey of one of the franchise's greatest players, Joe DiMaggio, to whom she was married for less than a year.

Johnny is a huge Yankee fan, and also loves Marilyn Monroe, one of the iconic figures of the 20th century, and among the most popular celebrities tattooed. I have featured Marilyn tattoos previously here and here.

The image is based on a lithograph that Johnny purchased at a FanFest in 1996. After having it tattooed on his right calf, he felt something was missing.

He contacted the National Baseball Hall of Fame and Museum in Cooperstown, New York, and purchased an archival photograph of the original Yankee Stadium, circa 1923. This was then used as the source material to create the recognizable backdrop for Marilyn.


Johnny has a ton of tattoos, approximately 15 pieces in all. This one, along with others he has, was created by Cort Bengston at Cort's Royal Ink Tattoo Studio in Patchogue, New York.

Thanks to Johnny for sharing this amazing tattoo with us here on Tattoosday!